Remove ads with our VIP Service
Share This Page
- The Amazing Spider-Man 
- The Amazing Spider-Man 2 
- Die Hard 
- A Good Day to Die Hard 
- Live Free or Die Hard 
- Spider-Man 3 
Add Your Comments
- $5 Tuesday Promotion Comes to Wehrenberg Theatres [1/16]
- LucasFilm and Disney Will Not Recreate Carrie Fisher's Likeness for "Star Wars: Episode IX" [1/15]
- A Rundown of the Reshoots and Work Done on "Rogue One: A Star Wars Story" [1/15]
- An Examination of Iconic and Forgettable Soundtracks in Movies [12/15]
- Hollywood, CA: X-Wing Fighter Parked on Hollywood Boulevard -- Disney and LucasFilm Win All Movie Promo Awards for the Foreseeable Future [12/8]
- Disney World Turning Epcot's Spaceship Earth Into Death Star for "Rogue One" Event - Video Added [12/2]
- Looking Back on "Casino Royale" 10 Years Later [11/17]
- Save $2 on 3 or More Movie Tickets - Good Through 9/25/2016 [9/20]
- Bakersfield, CA: KGET Takes a Behind-the-Scenes Tour of Historic Fox Theater [8/30]
- See a Movie at a Drive-in This Weekend -- Follow These Steps to Find a Drive-in Near You! [8/25]
Matt Zoller Seitz, the Editor-in-Chief of RogerEbert.com, TV critic for New York Magazine, and author, has a problem with superhero movies that he outlines in a blog post on the aforementioned web site:
I don't hate superhero movies. Repeat: I do not hate superhero movies. They're another genre in a medium that thrives on genre, one that's as ritualized in its story beats as the western, the romantic comedy or the zombie picture. When competently done, superhero pictures can be fun, or at least intermittently diverting.
The problem with the superhero movie as currently practiced by Disney/Marvel (the interlocking "universe" series) and Sony/Marvel ("The Amazing Spider Man" and "The Amazing Spider-Man 2") and DC (whose recent "Man of Steel" aped that Marvel feeling and is busy building its own version of Marvel's feature film universe) has nothing to do with the genre's component parts, and everything to do with execution.
Specifically, the problem is the visual and rhythmic sameness of the films' execution.
Click the Read link below to view the full article. The article is worth the read, as it makes some very good points about the dangers of laziness in making movies.
He really does hit the nail on the head in identifying the sameness among so many superhero movies of late, and many action movies altogether.
This issue came to the forefront for me while watching Spider-Man 3, where I became acutely aware of how boring this action movie was, while I was watching it! How many times can Spider-Man hit an I-beam and it still be interesting or dramatic? Was the Sandman character necessary, or would the movie have been just as good if every scene featuring him was cut?
While the rebooted Spider-Man movie, The Amazing Spider-Man, wasn't bad (it wasn't great either, getting only middling reviews from our readers), I haven't taken the time to see The Amazing Spider-Man 2 yet. Because of how fast new releases are bumped out of the better auditoriums by newer releases, this movie will probably have to wait until its home video release for me to see it.
It's not just the superheros either. I really enjoyed Die Hard, and even the next two installments. Live Free or Die Hard was OK, but hampered by cuts that were made to get it into PG-13 territory. I haven't even seen the latest installment, A Good Day to Die Hard, because I just haven't felt compelled to do so.
Many movies depend on loyalty to a brand to draw audiences. With each mediocre release, they risk losing more and more fans, until they have to kill the series permanently or at least wait a few years and reboot it. I'm sure that there are smart and talented people at the studios, but too many times, the courageous people necessary to step outside the humdrum, seen-that-already approach are too few and far between.
Add Your Comments
No comments found. Be the first and let us know what you think!
Add Your Comments
|Commenting on Journal Articles is available only to our readers who have customized this site, which makes it easier for you to complete the form and for us to contact you with any questions or concerns about your comments.|
Please login or register a new account before continuing.
Log in to retrieve your saved settings.
Forget Your Passcode?Send My Passcode To Me
Not Registered? Create a New Account!
Our registered members enjoy more features, including:
- Save Your Location -- the site remembers your location, no having to re-enter it each time you visit
- Favorite Theaters List -- keep a handy list of the theaters you attend
- Favorite Movies List - movies you want to see, all in one place
- Write Movie Reviews -- share your opinions of the movies you see
- Block Ads with VIP Service -- view this site ad free (subscription req'd)
Basic accounts are free -- sign up today!
Concerned About Privacy?
Journal/Blog - The Marquee - Movie Links - News and Events - Now Showing - Reader Reviews
Customize - VIP Service
|The BigScreen Cinema Guide is a service of SVJ Designs LLC. All graphics, layout, and structure of this service (unless otherwise specified) are Copyright © 1995-2017, SVJ Designs. The BigScreen Cinema Guide is a trademark of SVJ Designs. All rights reserved.|
'ACADEMY AWARDS®' and 'OSCAR®' are the registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences.