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- Sequel to "Mrs. Doubtfire" Planned with Robin Williams and Director Chris Columbus Returning [4/17]
- Andy Serkis Interviewed About Upcoming "Dawn of the Planet of the Apes" and its Relationship to "The Godfather" [4/15]
- Watch Highlights from the UK Premiere of "Captain America: The Winter Soldier" [3/26]
- USA Today Interviews "Peanuts" Producer Craig Schulz, Watch the Teaser Trailer! [3/18]
- Captain America 3D Double Feature Coming to Theaters April 3rd [3/10]
- Bonita Springs, FL: Prado Stadium 12 Featured in Spotlight Magazines [3/4]
- Note Added to "Noah" Explaining That It's Not a Documentary [2/28]
- Buy One Oscar Nominee Ticket at AMC, Get One Free (conditions apply) [2/10]
- Barnes & Noble Stores Hosting Events Tied to "The LEGO Movie" [1/21]
- Entertainment Weekly Interviews Ben Affleck About "Gone Girl" [11/24]
"I was working in what was then called the "Lucasfilm Computer Division" that existed from roughly 1980 to 1987 or so. It spawned several companies, including Pixar and Sonic Solutions. I was head of the audio group. In about 1982, we built a large-scale audio processor. This was in the days before DSP chips, so it was quite a massive thing. We called it the ASP (Audio Signal Processor). "At the same time Tom Holman was also working at Lucasfilm. He had developed what is now called the THX sound system. It was to premiere with Lucasfilm's "Return of the Jedi." They were making a logo to go before the film. I was asked by the producer of the logo piece to do the sound. He said he wanted "something that comes out of nowhere and gets really, really big!" I allowed as to how I figured I could do something like that.In this day and age, it's difficult to imagine how complex a task it was, but his story gives the reader a new appreciation for what is one of the most distinctive and, for some, recognizable audio clips around.
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