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- Get Your First Look at the Trailer for "Star Wars: Episode VII - The Force Awakens" on Friday, Nov 28th [11/25]
- Remembering "The Terminator" on its 30th Anniversary with an Interview with Van Ling and Ian Nathan [10/28]
- "Avengers: Age of Ultron" Teaser Trailer Now Available Ahead of Schedule After It Leaked [10/23]
- The Death of Physical Media is Far From Imminent [10/1]
- Los Angeles, CA: New Beverly Cinema Bucks the Digital Cinema Trend and Goes 35mm Only [9/9]
- Bill Murray Suggests Leads for All-Female "Ghostbusters" Movie [9/9]
- "Toy Story that Time Forgot" Coming to ABC in December 2014 [7/25]
- Bad Robot Tweets IMAX Camera on Star Wars Set [7/11]
- Road and Track Spies Electric Harley Davidson on Set of "Avengers: Age of Ultron" [7/2]
- Chicago, IL: Lucas Museum of Narrative Art (LMNA) Announces Chicago Location [6/25]
"I was working in what was then called the "Lucasfilm Computer Division" that existed from roughly 1980 to 1987 or so. It spawned several companies, including Pixar and Sonic Solutions. I was head of the audio group. In about 1982, we built a large-scale audio processor. This was in the days before DSP chips, so it was quite a massive thing. We called it the ASP (Audio Signal Processor). "At the same time Tom Holman was also working at Lucasfilm. He had developed what is now called the THX sound system. It was to premiere with Lucasfilm's "Return of the Jedi." They were making a logo to go before the film. I was asked by the producer of the logo piece to do the sound. He said he wanted "something that comes out of nowhere and gets really, really big!" I allowed as to how I figured I could do something like that.In this day and age, it's difficult to imagine how complex a task it was, but his story gives the reader a new appreciation for what is one of the most distinctive and, for some, recognizable audio clips around.
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